CY TWOMBLY
艺术家｜赛·托姆布雷
All artworks by Cy Twombly © Cy Twombly Foundation
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每一条线都是自身固有历史的真实经验，它们并不说明什么，也不刻画什么——这是一种自我意识感觉的实现。
Each line is a true experience of its own history, and they say nothing and depict nothing -- it is the realization of a feeling of self-awareness.
Jose Twombly (Cy Twombly) has been hailed as the New York times "one of the greatest contemporary artists in the 20th century", as a set of abstract expressionism, in a minimalist and pop art, and rewrite the history of the American post-war art master "eccentric", Twombly directly affected include Jean Michel gods (jean-michel Basquiat), Anselm Kiefer (Ms. Anselm Kiefer), large quantities of contemporary artist, his writing is thinking, narrative, the combination of history, myth, and formalism. He not only raised abstract expressionism to a higher level, but also changed the history of art to some extent.
赛·托姆布雷（Cy Twombly）曾被《纽约时报》誉为“20世纪最伟大当代艺术家之一”，作为集抽象表现主义、极简和波普艺术于一身，改写了美国战后艺术史的“离经叛道”的大师，托姆布雷直接影响了包括让·米切尔·巴斯奎特（Jean-Michel Basquiat）、安塞姆·基弗（Anselm Kiefer）在内的一大批当代艺术家，他的创作是思考、叙事、历史、神话和形式主义的结合。他不仅把抽象表现主义上升到了一个高度，更在某种程度上改变了艺术史。
Throughout his career, Twombly sustained an active engagement with drawing, gesture, and making marks on paper. His urgent, meandering lines embody the intimate energies that carry over into his paintings, sculptures, and photographs. Despite their enigmatic qualities, Twombly’s drawings are strikingly articulate in their rhythm, line, and allusions. At once economical and deeply sensual, they contain a timeless language, mediating between ancient and modern culture.
Born in Virginia in April 1928, Cy Twombly's work is known for its magical use of white, its combination of scribble, sketch and graffiti, and oil painting. Its abstract works combine the techniques of drawing and sketching, using repetitive lines, words and graffiti.
In 1988, Sai Twombly was awarded the Royal Japanese World Culture Award, which is the highest and noblest art award in Japan. In 2001, Twombly won the Golden Lion at the Venice Biennale; In 2010, Twombly was invited to paint murals for the Louvre, making him the first contemporary artist since Georges Braque to create a permanent collection for the museum in 1950.
"Twombly influenced many artists and troubled art critics," the art critic Kirk Varnedoe once said. Not only are his paintings incomprehensible to the general public, but they are also incomprehensible in the context of the complex early development of post-war art in the history of art.
艺术家赛·托姆布雷作品
ARTIST CY TWOMBLY
1949--2008 ARTIST'S WORKS
Ritual, 1949, Lexington
Virginia, 50.8 x 61 cm
20 x 24 inches
Untitled, 1954, New York
Gouache, wax crayon, coloured pencil
48.5 x 64 cm, 19 1/8 inches x 25 3/16 inches
Panorama, 1955, New York City
Oil based house paint, wax crayon, chalk on canvas254 x 340,4 cm, 100 x 134 inches
Olympia, 1957, RomeOil based house paint, wax crayoncoloured pencil, lead pencil on canvas200 x 264.5 cm, 78 3/4 x 104 inches
School of Fontainebleau, 1957, RomeOil paint, wax crayon, lead pencil, coloured pencil on canvas200 x 321.5 cm, 78 3/4 x 1265/8 inches
See Naples + Die, August 1960, Sant’Angelo, IschiaPencil, wax crayon, coloured pencil, ballpoint pen50 x 70 cm, 19 11/16 x 27 9/16 inches
Delian Ode 10, August 1961, DelosPencil, wax crayon, coloured pencil, ballpoint pen33.5 x 35.2 cm, 13 3/16 x 13 7/8 inches
Bay of Naples, 1961, RomeOil paint, oil based house paintwax crayon, lead pencil on canvas241.8 x 298.6 cm, 95 1/4 x 117 5/8 inches
Empire of Flora 1961, RomeOil paint, wax crayon, lead pencilcoloured pencil on canvas200 x 242 cm, 78 3/4 x 95 1/4 inches
Untitled, November 1965-1966, New YorkWax crayon, pencil, ballpoint pen70 x 100 cm, 27 9/16 x 39 3/8 inches
Untitled, 1966, RomeOil based house paint, wax crayon on canvas190 x 200 cm, 74 3/4 x 78 3/4 inches
Untitled, 1967, RomeOil-based house paint, pencil, wax crayon70 x 100 cm, 27 9/16 x 39 3/8 inches
Untitled, 1967, New York CityOil based house paint, wax crayon on canvas152.4 x 172.7 cm, 60 x 68 inches
Synopsis of a Battle, 1968, New York CityOil based house paint, wax crayon on canvas172.7 x 207.6 cm, 68 x 81 3/4 inches
Untitled, 1968, RomePencil, ball point pen45.8 x 61 cm, 18 x 24 inches
Untitled, 1969, RomeOil paint, wax crayon70 x 87 cm, 27 9/16 x 341/4 inches
Untitled, 1969, New York CityOil paint, pencil, wax crayon84.5 x 76.2 cm, 33 1/4 x 30 inches
Untitled, 1970, RomeOil based house paint, wax crayon, lead pencil on canvas156.2 x 190.5 cm, 61 1/2 x 75 inches
Untitled, 1970, RomeOil based house paint, wax crayon, lead pencil on canvas156.2 x 190.5 cm, 61 1/2 x 75 inches
Study for Treatise on the Veil, 1970, RomeCollage: (glossy paper, masking tape, transparent adhesive tape)wax crayon, pencil, ballpoint pen, ink, 69.8 x 100.6 cm, 27 7/16 x 39 5/8 inches
Untitled, July 1970, AnacapriCollage: (postcard, drawing papertransparent adhesive tape), pencil, wax crayon, ink63.3 x 56.8 cm, 24 15/16 x 22 3/8 inches
Turn and Coda, 1974, RomeOil based house paint, oil paintwax crayon, lead pencil on canvas251 x 200 cm, 98 7/8 x 78 3/4 inches
Orpheus, 1975, RomeOil paint, wax crayon, pencil140 x 100 cm, 55 1/8 x 39 3/8 inches
Scenes from an Ideal Marriage, 1986Porto Ercole, Acrylic, pencil, wax crayon54 x 73 cm, 21 1/4 x 28 3/4 inches
Untitled, 1986Porto Ercole, Acrylic, oil paint54.1 x 71.9 cm, 21 5/16 x 28 5/16 inches
Untitled, 1989, GaetaAcrylic, tempera on paper mounted on wooden panel203.2 x 148.9 cm, 80 x 58 5/8 inches
Lepanto, 2001, [A painting in twelve parts]Lexington, Virginia, Part VI: Acrylic, wax crayon on canvas211.5 x 304.2 cm, 83 1/4 x 119 3/4 inches
Untitled, 2004, [Bacchus 1st version III]Gaeta, Acrylic, wax crayon on wooden panel250 x 190 cm, 98 1/2 x 74 3/4 inches
Note I, 2007, Lexington, VirginiaAcrylic on wooden panel243.8 x 365.8 cm, 96 x 144 inches
Untitled (II), 2008, Lexington, VirginiaAcrylic on canvas272 x 145 cm, 107 1/8 x 57 1/8 inches
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